Remember that you will get the most out of your Footage if you shoot in 10-bit / 12-bit in 4K or 8K resolution. Canon EOS R Canon EOS R5 Canon EOS R6 Canon EF 100-400mm F4.5-5.6L IS II Canon RF 35mm F1. You just need to bypass any input transform for the Clip. Save my name, email, and website in this browser for the next time I comment. Save the DCTL files in your LUT folder, then load them via the LUT drop down for the Clip (or DaVinci CTL if using Resolve 16 and below). ![]() Canon EOS R5 Canon EF 24-70mm F2.8L II USM Sigma 135mm F1.8 Art Canon RF 70-200mm F2.8L IS USM Canon RF 100-500mm F4.5-7.1L IS USM. Go into support / download section to find it. These LUTs were created especially for the Canon R5, Canon R6 but will also work with other footage from cameras like Canon EOS R, Canon EOS RP, Canon 5D Mark IV. Canon C-Log (R5, R6, C100, C200, C300, C500) Arri Log-C (Alexa Classic, Amira). Canon provides their own LUT pack for all sorts of footage you can do with the camera. No matter if you are using C-Log (Canon Log), Cinestyle or a custom profile like James Millers Neutral – The 3D LUTs in this Pack work perfectly with several Picture Profiles and settings. These LUTs will help you to get the most out of the 12-bit / 10-bit Raw Video (but also work with compressed codecs) and convert your footage into cinematic and eye-pleasing visuals.
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